I’ve watched a lot of low-end sci-fi movies in my time. There’s something fun about either finding a bit of gold in an otherwise forgettable movie, or coming across one so bad that it turns into an unintentional comedy. I get suggestions by reading the many movie review blogs that are out there (most notably The B-Masters Cabal). I cannot recall which of them mentioned the current subject to me, but suffice it to say that whoever it was didn’t have anything really good to say about it. Intrigued by their description, I went looking for it. And I found that someone had posted a crappy (but complete) print of it to YouTube….

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Gamera: Guardian of the Universe (1995)

Gamera 2: Attack of the Legion (1996)

Gamera 3: Revenge of Iris (1999)

After a “golden age” in the 1950s where they produced classics like Rashomon (1950) and Hiroshima Mon Amour (1959), Japan’s Daiei Studios began to decline; mostly due to financial mismanagement. They were forced to declare bankruptcy in 1971 – but managed to get revived in 1974. They had a modest number of releases, to decent success.

I’m guessing they were jealous of rival Toho Studios continued success, especially with their Godzilla films. Hmm… didn’t Daiei still own their own giant monster – Gamera? What if they blew the dust off the old Big Turtle (which by then had become a staple of Saturday afternoon “Chiller Theater” TV programming), and gave him new life with the latest in moviemaking technology?

The three movies really do comprise a trilogy. Though each one is self-contained and you can watch them in any order, they exist in the same universe and the second and third movies each contain references to the ones that came before (explicitly in the third). This is not like the Godzilla movies, where Japan – even though they may have a special anti-Kaiju military agency, seems to have completely forgotten even the existence of the monsters from the previous movie. Actors even play the same characters from one movie to the next; most notably Yukijirô Hotaru, who plays a nervous police official in Guardian, a security guard in Legion, and a homeless bum in Iris. Clearly, the stress of his encounters with Gamera and the other monsters got to him. Continue reading →

There’s a pitfall for amateur movie reviewers. We tend not to have much experience in criticism (i.e. critical writing), so there’s a tendency to think that pointing out mistakes and flubs and inconsistencies (like Cinema Sins) counts as valid criticism. It is not. While it is true that proper, professional critics do have to note such things, it is not the be-all and end-all of their review.

I fell into that trap when just after watching Swamp Thing. I focused on all the things that made no sense at all to me – from the violation of Conservation of Mass to why the federal government has stashed a supposedly secret lab someplace down in the bayous and mangrove swamps of the Deep South – and they’re not even doing military research there.

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LEGO has been an amazing tool for amateur filmakers. The pieces are cheap, infinitely combineable, and the human figures are all at the same size and are easily posable. Anyone wanting to do a little stop-motion animation need only get a bucket of LEGOs and a camera, and they’re in business.

There’s a whole genre of these “brickfilms”, with its own support communities and festivals. Given the time-consuming nature of the technique, most of them qualify as “shorts”. (The LEGO Movie and its sequels were made using computer animation, but were careful to follow the brickfilm style.)

Back in 2011, Joseph DeRose started making one of these brickfilms. His 20 minute short quickly grew to the point where it got away from him, and became a full-length feature film. He worked on it with friends and family over the years, doing it in segments and uploading them to YouTube as each one was completed.

He finished it in August, and uploaded the entire thing to YouTube.

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