MOVIE REVIEW: Grabbers (2012, Ireland and UK)

It’s so common a trope that there’s got to be a name for it. A monster appears / arrives in a small isolated community. A few strange things happen, and then some people disappear. A few people in the community investigate, and discover the monster. For some reason, authorities outside the community cannot come to the rescue. So it’s up to our heroes to figure out how to defeat it and rally the community for the fight.

Movies from The Blob to Tremors have used it, and even movies outside the “monster movie” genre (like Jaws and Halloween) use at least some of the parts.

Given how common it is, any movie that uses it should be judged not on how well it uses the trope, but on the strength of any other ideas or sub-plots that are used. Continue reading

MOVIE REVIEW: Colossus: The Forbin Project (1970)

Seems every week there’s another article out about people being Concerned over the possible dangers posed by artificial intelligence (AI for short). A lot of the tech people involved in developing it are asking for some government guidelines and regulation, Somehow, they can’t seem to slow down on their own. Can’t afford to let someone else get it first, you see.

The big worry is that somehow, any AI might determine that its goals are not in line with those of humans, and it will take over the world. The one movie that’s constantly referenced is The Terminator (1984), in which the military gave control of its weapons systems to something called “Skynet”, which became self-aware and turned against humanity. Some commenters might mention War Games (1983), where a supercomputer was given control of the US’ nuclear missiles and then, thanks to some glitches, thought that a simulation was a real attack…..

So far, though, I haven’t seen anyone mention what is probably the first of these “give a supercomputer control of the nukes” movies – the adaptation of D.F. Jones 1966 novel, Colossus: The Forbin Project. Continue reading

MOVE REVIEW: Princess of Mars (2009)

It boggles the mind (well, mine at least) that it took nearly a century for one of the most important works in all of science fiction to be adapted for the big screen. Edgar Rice Burroughs’ “Barsoom” novels, starting with 1912’s A Princess of Mars, have influenced everything from Ray Bradbury’s “Martian Chronicles” to James Cameron’s Avatar. The novels have pretty much everything you’d want in a grand epic. Action, adventure, romance, and spectacle, all in an exotic (but still understandable) setting. Admittedly, depicting giant, four-armed, reptilian warriors on any screen would be a problem – but nothing that you can’t use an Artistic License to work around. Ordinary two-armed people in latex head masks will do fine.

That’s the method chosen by Asylum Pictures, the rulers of the “direct to DVD” domain, in their 2009 adaptation of the first of the novels. They must have gotten wind that Disney was going to throw megabucks at their own version, and figured “Anything you can do, we can do cheaper and faster.” With some $300,000 at their disposal, they set to work.

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MOVIE REVIEW: The Lemon Drop Kid (1951)

Sidney “The Lemon Drop Kid” (for his habit of always having a box of lemon drop candies on him) Milburn (Bob Hope) is a “racetrack tout” in Florida. Unfortunately for him, after convincing a woman to place her bet on the wrong horse, he finds out that she is a “girlfriend” of notorious mob boss Moose Moran (Fred Clark) – who is none too happy at having lost his sure bet. The Kid convinces Moran to give him until Christmas to raise the $10,000 that he would have won. It won’t be easy, but it’s better than what Moran had in mind.

Now it’s off to New York City, where he’s got just about three weeks to come up with the dough – or else. In the “season of giving”, can he find enough suckers, er, kindhearted people, to give him that much spare change? As it happens, he comes up with a cunning plan, one that will need the unsuspecting assistance of all of his lowlife friends to pull off…. Continue reading

MOVIE REVIEW: Dungeons & Dragons: Honor Among Thieves (2023)

Well, you probably know the deal by know. At least I hope you do. A team of adventurers realizes that when their last “heist” went to heck, the wrong person got the wrong item. And that they are getting back together to stop her from carrying out her evil plan.

At least that’s what the trailers and ads tell you.

The main plot line actually concerns Edgin (Chris Pine) breaking out of jail so he can go get his daughter back and rebuild his family. If it happens that he and the gang discover the evil scheme along the way and decide to stop it, well, why not?

Having actually paid to see it in a theater, I noted that the movie satisfies no matter what your level of D&D knowledge might be.

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Movie Review: Matinee (1993)

Gene Loomis (Simon Fenton) is a “Navy Brat”, bouncing around from school to school, never being able to make many friends. His dad’s current assignment finds him in Key West, FL, in the fall of 1962. A fan of horror / monster movies, he’s delighted that moviemaker Lawrence Woolsey (John Goodman) is coming to town for the grand premiere of his latest flick, Mant!

Alas, life gets in the way of his pleasure. The Russians have put nuclear missiles on Cuba, and his dad is on one of the ships heading out to enforce the blockade quarantine.

The show must go on, however, and Gene winds up as sort of an informal assistant / sidekick to Woolsey as he sets up all the theater gimmicks that he’s known for. Though it’s anyone’s guess as to whether or not the Commies will allow the premiere to go on as scheduled.

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MOVIE REVIEW: A Study in Terror (UK, 1965)

It would seem the simplest of things to have the World’s Greatest Fictional Detective come up against one of the most notorious real world serial killers – especially since Sherlock Holmes and Jack the Ripper were “contemporaries”. It wasn’t until the 1960s that a film company created by the Conan Doyle estate decided to actually pair up the two in a serious production.

Obviously, one can’t have the two match wits directly. The known history wouldn’t allow it. And it wouldn’t do to have Holmes fail to solve the case. But you could present Holmes with a puzzle that brings him into the world of Whitechapel around the time of Jack’s bloody reign of terror, and have him “solve” the case that way. Continue reading

MOVIE REVIEW: Viy (USSR, 1967)

It’s Spring Break at the seminary! The wannabe monks are being set free for a spell; this means that they’ll proceed to prank the locals and (lightly) sexually harass whatever women come within reach.

Khoma (Leonid Kuravlyov), one of these prospective monks, finds that he and his friends have wandered too far away from town when night falls to find a decent bed. A farmhouse inhabited by an old woman provides some shelter, but he’s forced to bed down for the night in the barn. Eh, presumably he’s had worse accommodations. His rest is interrupted by a visit from the old woman, who it appears wants to do a little sexual harassment of her own. Well, Khoma isn’t having any of it, but she won’t take no for an answer. She turns out to be a witch, and casts a spell of him that stiffens him, allowing her to ride him around all night long. Wait, get your mind out of the gutter. What were you thinking? She forces him to carry her on his shoulders while flying around the countryside.

After finally landing, Khoma is freed from her spell. He promptly whacks the magic out of her, revealing her true form as a lovely young woman (Natalya Varley). Why she needed to disguise herself to get men to do her bidding is left unsaid. Khoma flees the scene, leaving the unconscious woman behind.

Little does he know his problems have just begun.

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MOVIE REVIEW: The Gate (1987)

It was a dark and stormy night in Nameless Suburban Town. In the midst of some unsettling dreams, a bolt of lightning takes out the tree in the backyard of Glen’s (Stephen Dorff) home. The next day, the removal of the now-dead tree reveals a rather large hole in the ground. Well, dealing with it will have to wait. Glen’s parents are heading out of town for the weekend, leaving his older sister Alexandra “Al” (Christa Denton) in charge. A large panel of wood is placed over the hole, and strict instructions are given to NOT go in and poke around.

Well, try telling unsupervised teens that they can’t do something. Glen and his friend Terry (Louis Tripp) poke around in the hole. While digging out a large geode, Glen cuts himself on a splinter of wood. A few drops of blood fall into the hole – can’t be anything significant, right?

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Movie Review: Sugar Hill (1974)

Langston (Larry B. Johnson). and his fiancee Diane “Sugar” Hill (Marki Bey) are running a decent little nightclub somewhere down in bajou country. The club’s been doing well enough to attract the attention of local mob boss Morgan (Robert Quarry), who has been pressuring Langston to sell. “Peaceful” negotiations haven’t worked, so Morgan sends his goons to rough up Langston one night after closing time. Well, they rough him up a bit too much, and he dies of his injuries. There were no witnesses, and nothing in the way of evidence, so even though it’s pretty certain Morgan was behind it, there’s nothing the local police can do.

Being a smart businessman, Langston had a will – and left the club to Sugar. Morgan thinks it will be easier to get her to sell the club, what with her being a woman and all – but she’s got plans for revenge. Plans that involve getting some help from beyond the grave…. Continue reading