It isn’t an easy matter to take a movie to an international audience. There’s a lot that doesn’t translate across cultures. Comedy is often highly culturally specific. Romance depends a lot on social customs. Drama is a little easier to do, but it still has some problems.

Action and thrills, however, cross all borders. Explosions and monsters speak all languages. Is it any wonder that the biggest international box office successes these days are action & adventure flicks?

But even there, some things may still not translate very well across space and time.

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There are many things that can make a movie bad. Lack of talent either in front of or behind the camera, overreaching by the director / producer, a budget totally incapable of bringing the story to life, a stupid story idea to begin with…

Then there are things unconnected with the movie itself that can have an effect.

Producer Gary Kurtz (who had also worked in that role on Star Wars and The Empire Strikes Back) was going through an ugly divorce at the time. The money he spent / lost in the divorce led to a cascade of problems with Slipstream, culminating in the movie never getting a US theatrical release. Which is probably why you haven’t heard of it.

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The Old Haunted House movie has changed quite a bit over the recent decades. One cannot have a simple haunting by a lone spirit who needs to have his (or her) soul put to rest anymore; one has to have a portal to hell on the property, some sort of demonic possession, or the scene of some horrible atrocity with dozens of victims in order to attract an audience.

Now there’s nothing inherently wrong with a movie like that, but it’s too easy for a filmmaker to fall into the trap of using blood and gore as a replacement for a good, honest scare. For an “old school” spooky haunting, you’ve got to go back quite a ways.

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The Zorba family is in a rather bad state. That day, the repo men came and collected all their furniture. There’s no indication as to the source of their financial troubles, but it doesn’t really matter. That night, while eating dinner on the floor (the repo men didn’t take their dishes or kitchenware), a telegram arrives. The father, Cyrus (Donald Woods), is being instructed to show up at the offices of attorney Benjamin Rush (Martin Milner, in his pre “Adam-12” days).

It doesn’t look good at all.

However, once Cyrus gets there, he’s informed that his eccentric uncle Plato Zorba has died recently, and has left Cyrus and his family his house and all its contents. This is a pleasant surprise to Cyrus; he’d though Plato had died years ago. The family quickly relocates to the old mansion (conveniently furnished, and with a live-in housekeeper (played with suitable creepiness by Margaret Hamilton).

There, they find out that Uncle Plato’s eccentricities concerned the supernatural, and he had developed a method that he claimed would make ghosts visible. That would explain the weird glasses that were the only non-house item left by the will. Uncle Plato also happened to “collect” ghosts – and they shared the house with him….

Haunted or no, the Zorbas really don’t have much choice at the moment….

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Well, the movie is sixty years old, and it’s about something that happened four decades earlier. But just in case there’s someone out there who, no matter how improbably, has never heard of the Titanic….
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SPOILER ALERT!!!!

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Let’s get the big thing out of the way.

BBtS is “The Magnificent Seven IN SPACE!” Or, since TM7 was actually Seven Samurai done as a western, you could say BBtS is “Seven Samurai IN SPACE!!!”

Produced by Roger Corman and his New World Pictures, it’s a typical example of his later work. Take a simple or hackneyed story, but give it as much “bang for the buck” as you can. Typically this involved reusing shots and sets, but it could also mean finding and nurturing young talent or getting established talent who could be had on the cheap.

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If you’ve heard about this movie, it’s almost certain that all you know about it is the background. Great Leader (and reputed movie geek) Kim Il Sung wanted North Korea to have its very own Giant Monster Movie; one that would be the equivalent of anything else from Asia. So he kidnapped South Korean moviemaker Shin San-Ok (and his wife) and ordered him to make movie magic. The movie never did get a wide release outside the “Hermit Kingdom”, vanishing without much of a trace when it was finally released in South Korea in 2000. A video release confused the issue by having the word “BANNED” appear on the cover in letters larger than that used for the title. It wasn’t really ever banned; it’s more like it was ignored.

All that nonsense overshadows the movie itself. While that might draw your attention, the real question is whether or not the movie is worth your time.

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