LEGO has been an amazing tool for amateur filmakers. The pieces are cheap, infinitely combineable, and the human figures are all at the same size and are easily posable. Anyone wanting to do a little stop-motion animation need only get a bucket of LEGOs and a camera, and they’re in business.

There’s a whole genre of these “brickfilms”, with its own support communities and festivals. Given the time-consuming nature of the technique, most of them qualify as “shorts”. (The LEGO Movie and its sequels were made using computer animation, but were careful to follow the brickfilm style.)

Back in 2011, Joseph DeRose started making one of these brickfilms. His 20 minute short quickly grew to the point where it got away from him, and became a full-length feature film. He worked on it with friends and family over the years, doing it in segments and uploading them to YouTube as each one was completed.

He finished it in August, and uploaded the entire thing to YouTube.

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Any other year.

Any other year, and it could have easily won the Academy Award for Best Animated Feature. But at the 2010 Oscars, it was nominated with Up, Coraline, The Fantastic Mr. Fox, and The Princess and the Frog. One of the best set of nominees since they added the category in 2001. Heck, even the animated short films that year were all awesome!*

Any other year, and it should have won. But when one of the other nominees (Up) was also nominated for Best Picture, what chance did it have?

And a foreign film, too!

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Director: Marcell Jankovics
Writers: László György, Marcell Jankovics
Music by: István Vajda

Start by collecting bits and pieces of local folk tales and legends. In this case, that means Hungarian, Avar, and others from the peoples that came and went through that part of southeast Europe.

Assemble them into a fairly standard “Hero’s Journey” tale.

Decide to animate the result.

Take some mild hallucinogens to give you inspiration for your design aesthetic….

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It isn’t an easy matter to take a movie to an international audience. There’s a lot that doesn’t translate across cultures. Comedy is often highly culturally specific. Romance depends a lot on social customs. Drama is a little easier to do, but it still has some problems.

Action and thrills, however, cross all borders. Explosions and monsters speak all languages. Is it any wonder that the biggest international box office successes these days are action & adventure flicks?

But even there, some things may still not translate very well across space and time.

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There are many things that can make a movie bad. Lack of talent either in front of or behind the camera, overreaching by the director / producer, a budget totally incapable of bringing the story to life, a stupid story idea to begin with…

Then there are things unconnected with the movie itself that can have an effect.

Producer Gary Kurtz (who had also worked in that role on Star Wars and The Empire Strikes Back) was going through an ugly divorce at the time. The money he spent / lost in the divorce led to a cascade of problems with Slipstream, culminating in the movie never getting a US theatrical release. Which is probably why you haven’t heard of it.

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The Old Haunted House movie has changed quite a bit over the recent decades. One cannot have a simple haunting by a lone spirit who needs to have his (or her) soul put to rest anymore; one has to have a portal to hell on the property, some sort of demonic possession, or the scene of some horrible atrocity with dozens of victims in order to attract an audience.

Now there’s nothing inherently wrong with a movie like that, but it’s too easy for a filmmaker to fall into the trap of using blood and gore as a replacement for a good, honest scare. For an “old school” spooky haunting, you’ve got to go back quite a ways.

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