A new dessert sensation is taking the country by storm. Something like a cross between whipped cream and marshmallow sauce, “The Stuff” tastes great and is low in calories. Needless to say, a consortium of business owners want to find out exactly what it is so they can come up with their own version. After all their attempts at analyzing it fail, they hire David “Mo” Rutherford (Michael Moriarty), a former FBI agent, to do some industrial espionage.
Mo meets up with a young boy, Jason (Scott Bloom) whose family has been acting very strangely after he saw a glob of The Stuff moving of its own accord, and Nicole (Andrea Marcovicci), an ad agency executive who created the initial ad campaign for it.
It’s off to Virginia and then Georgia to unravel the mystery. The Stuff is more than what it appears to be; and the trio’s lives are increasingly in danger as they get closer to the source….
The Night Land
by William Hope Hodgson
Published in 1912
Hodgson was one of the numerous writers of the Late Victorian – Edwardian Era who wrote in that genre that would eventually become known as Science Fiction. Although in his case, there’s little “science” in his stories. And while there are some horror tropes, his work doesn’t fit well in there, either. Perhaps “Weird Fiction” is the best way to classify it. There’s a little science, some fantasy, and enough creepiness but not enough scares to be called horror.
This work was his last published novel; he died at the Fourth Battle of Ypres in 1918, after actually re-enlisting to fight in the Great War. It’s not certain when he actually wrote it; it’s been surmised that his novels were published in the inverse order of writing. His first-published novel, The Boats of the “Glen Carrig”, has a more mature and accessible style than The Night Land.
Be that as it may, The Night Land is either loved or hated by most contemporary readers….
Well, I did it for books, so here’s a note to say there’s a new “page” up there with an index to all my movie reviews. Not quite as many as with my book reviews, but still one about every other month.
Sci-Fi and Fantasy Stories from ‘The Sun’
by Edward Page Mitchell
Before Hugo Gernsback laid down the law, no one knew there was such a thing as “science fiction”. Many writers, not just Verne and Wells, dabbled in “scientific fantasy” or used the eventual tropes of the genre to give a gloss to their political screeds.
Mitchell wrote his stories to sell newspapers.
In 1874, he published his first (known) stories, “The Tachypomp” and “Back From That Bourne”. The latter appeared in the New York (City) Sun, one of the leading newspapers at the time. It wasn’t uncommon for newspapers to publish short stories – even putting them under the guise of actual news. Mitchell would pen twenty-eight more stories for The Sun over the next twelve years. He’d eventually become editor of that paper, whereupon he stopped writing fiction.
His work remained forgotten until science fiction editor and historian Sam Moskowitz recovered it in the early 1970s.
I’ve watched a lot of low-end sci-fi movies in my time. There’s something fun about either finding a bit of gold in an otherwise forgettable movie, or coming across one so bad that it turns into an unintentional comedy. I get suggestions by reading the many movie review blogs that are out there (most notably The B-Masters Cabal). I cannot recall which of them mentioned the current subject to me, but suffice it to say that whoever it was didn’t have anything really good to say about it. Intrigued by their description, I went looking for it. And I found that someone had posted a crappy (but complete) print of it to YouTube….
Oscar Charleston: The Life and Legend of Baseball’s Greatest Forgotten Player
University of Nebraska Press
Copyright 2019 by the Board of Regents of the University of Nebraska
Thanks to so many people, from Buck O’Neil to the researchers at Seamheads, we know a lot about the Negro Leagues – the players and the business and life in general as a Negro League player. But there are still huge oversights. Josh Gibson (on the basis of his legend) and Satchel Paige (thanks to having actually played in the Major Leagues) are rather widely known among baseball fans. Oscar Charleston, however….
Jeremy Beer has done a remarkable service in correcting this oversight. He has written a truly comprehensive biography of the Hall of Famer, from his childhood in Indianapolis to his death at an age too young to have been part of the Negro League “rediscovery” in the 1970s. He has dug through the archives, and even paged through a scrapbook kept by Charleston over the course of his life and career. This is as good a work on baseball in the Negro Leagues as you are likely to find.
Gamera: Guardian of the Universe (1995)
Gamera 2: Attack of the Legion (1996)
Gamera 3: Revenge of Iris (1999)
After a “golden age” in the 1950s where they produced classics like Rashomon (1950) and Hiroshima Mon Amour (1959), Japan’s Daiei Studios began to decline; mostly due to financial mismanagement. They were forced to declare bankruptcy in 1971 – but managed to get revived in 1974. They had a modest number of releases, to decent success.
I’m guessing they were jealous of rival Toho Studios continued success, especially with their Godzilla films. Hmm… didn’t Daiei still own their own giant monster – Gamera? What if they blew the dust off the old Big Turtle (which by then had become a staple of Saturday afternoon “Chiller Theater” TV programming), and gave him new life with the latest in moviemaking technology?
The three movies really do comprise a trilogy. Though each one is self-contained and you can watch them in any order, they exist in the same universe and the second and third movies each contain references to the ones that came before (explicitly in the third). This is not like the Godzilla movies, where Japan – even though they may have a special anti-Kaiju military agency, seems to have completely forgotten even the existence of the monsters from the previous movie. Actors even play the same characters from one movie to the next; most notably Yukijirô Hotaru, who plays a nervous police official in Guardian, a security guard in Legion, and a homeless bum in Iris. Clearly, the stress of his encounters with Gamera and the other monsters got to him. Continue reading
The Cold War, the Berlin Wall and the Most Dangerous Place on Earth
Copyright 2019 by the author
It’s not really a history of The Wall, or the geopolitical situation in and around Berlin during the nearly three decades of its existence. There are plenty of books covering that, if you are interested. What MacGregor has collected here (and that’s a good term; it’s not a strict and straightforward textual history) is actually more an oral history of the Berlin Wall, from people who were there at the beginning, for key incidents during its “life”, and the ending.
Jules Verne is widely regarded, and with very good reason, as one of the fathers of science fiction. He built upon the technology of the time, and turned it into some pretty good adventure tales.
Alas, very little of his work could actually be called science fiction. It fits better in the genre of “pulp adventure”, and is mostly forgettable. Seriously, how many of his over fifty Voyages extraordinaires can you remember, or even name? Well, there’s 20,000 Leagues Under the Sea, which you undoubtedly know from the movie. Around the World in Eighty Days was also made into a movie that’s much better than the original novel. You may have heard of From the Earth to the Moon because of its use of a giant cannon to launch the spaceship…. But The Vanished Diamond or Facing the Flag? Nope.
Working for American International, Director William Witney took two of those forgettable novels – Robur the Conqueror and its sequel Master of the World – into one, well……
There’s a pitfall for amateur movie reviewers. We tend not to have much experience in criticism (i.e. critical writing), so there’s a tendency to think that pointing out mistakes and flubs and inconsistencies (like Cinema Sins) counts as valid criticism. It is not. While it is true that proper, professional critics do have to note such things, it is not the be-all and end-all of their review.
I fell into that trap when just after watching Swamp Thing. I focused on all the things that made no sense at all to me – from the violation of Conservation of Mass to why the federal government has stashed a supposedly secret lab someplace down in the bayous and mangrove swamps of the Deep South – and they’re not even doing military research there.
But anyway…… Continue reading