A new dessert sensation is taking the country by storm. Something like a cross between whipped cream and marshmallow sauce, “The Stuff” tastes great and is low in calories. Needless to say, a consortium of business owners want to find out exactly what it is so they can come up with their own version. After all their attempts at analyzing it fail, they hire David “Mo” Rutherford (Michael Moriarty), a former FBI agent, to do some industrial espionage.
Mo meets up with a young boy, Jason (Scott Bloom) whose family has been acting very strangely after he saw a glob of The Stuff moving of its own accord, and Nicole (Andrea Marcovicci), an ad agency executive who created the initial ad campaign for it.
It’s off to Virginia and then Georgia to unravel the mystery. The Stuff is more than what it appears to be; and the trio’s lives are increasingly in danger as they get closer to the source….
With the success of such syndicated shows as Star Trek: The Next Generation and Tales from the Crypt, Metro Goldwyn Mayer decided it was the right time to bring back its old anthology series, The Outer Limits. The one hour show would first appear on the cable network Showtime, and then be released into syndication.
All they needed was a good story – one that could handle being extended into a 90 minute movie. They found it in a George R.R. Martin novelette, “Sandkings”. The 1978 story would have to undergo some major adjustments in order to work on TV – not the least of would be that it had to work within a TV budget.
The original story is an award-winning horror tale where the protagonist is a right proper cretin who deserves everything that happens to him – but I’m not going to talk about that. Not even about how the movie is different from the story. One has to treat the movie on its own – and if you have to have read the book to understand the movie, then the movie hasn’t done it’s job.
The National Film Preservation Board “works to ensure the survival, conservation and increased public availability of America’s film heritage, including: advising the Librarian on its recommendations for annual selections to the National Film Registry…The National Film Registry selects 25 films each year showcasing the range and diversity of American film heritage to increase awareness for its preservation.”
Well, at least according to their website.
For the average movie buff, it’s a list of movies that are deemed sufficiently important for aesthetic, historic, or cultural reasons. They started selecting movies in 1989, but over the years they have somehow managed to avoid selecting one particular film. So once I’m done writing this, I’m going to nominate this movie – and hope someone there actually reads my nomination, and acts favorably.
The Blob (1958)