Dinner with King Tut: How Rogue Archaeologists are Re-Creating the Sights, Sounds, Smells, and Tastes of Lost Civilizations
Sam Kean
Little, Brown and Company
Copyright 2025 by the author
Janet Stephens was killing time at the Walters Museum of Art in Baltimore. A professional hair stylist, she became intrigued by the hairstyles depicted on their collection of Roman statuary. Could she re-create them? Using modern techniques with pins and bobbins didn’t work. Reading the archaeological experts didn’t help; they were a mess of contradictions and impossibilities. Clearly, none of them had ever styled hair before. She’d have to figure it out herself, even if it meant going back to the original sources. Google Translate would make up for her lack of Latin.
Deep in the annotations on one text, she found the key. A term was defined as “a needle for cloth making and hair styling”. Those complex arrangements of braids were not pinned in place; they were sewn. Now Stephens could re-create any Roman hairstyle with ease.
Stephens is one of those “experimental archaeologists” that Kean visits in this book. People on the outside of the usual fields, bringing the past to life.